Class Domination in the Era of Post-Capitalism. Part 2. Distribution of attention

Class Domination in the Era of Post-Capitalism. Part 2. Distribution of attention


Davydov D.A.

Cand. Sci. (Polit.), Senior Research Fellow, Institute of Philosophy and Law, Ural Branch of RAS, Yekaterinburg, Russia davydovdmitriy90@gmail.com

ID of the Article: 9253

Rubric: Sociologycal yournalism

For citation:

Davydov D.A. Class Domination in the Era of Post-Capitalism. Part 2. Distribution of attention. Sotsiologicheskie issledovaniya [Sociological Studies]. 2022. No 8. P. 136-146


 Full Text.


Abstract

The article examines the prospects for the transformation of the class structure in the era of post-capitalism. The second part of the article deals with the internal antagonism of the postcapitalist class structure. For this, it is proposed to look at the economics of creativity as an expanding area of productive activity, where the laws of capitalist accumulation do not directly operate. Creativity as the creation of non-material goods (from artistic images to scientific theories) is considered the substantive basis of post-capitalism, and therefore is comprehended in a utopian way with an emphasis on freedom of self-realization. Nevertheless, the article substantiates that the “decline of capitalism” may lead to even greater socio-economic inequality (from the power of 1% to the power of 0.1%) and the corresponding tragedy of the impersonaliat as a class of “creative losers”.


Keywords
post-capitalism; the personaliat; social revolution; post-materialism; Marxism; class analysis; social stratification; class ideology; economics of creativity

References

Бузгалин А.В. Креативная экономика: частная интеллектуальная собственность или собственность каждого на все? // Социологические исследования. 2017. № 7. С. 43–53. [Buzgalin A.V. (2017) Creative Economy: Private Intellectual Property or Everyone’s Ownership of Everything? Sotsiologicheskie issledovaniya [Sociological Studies]. No. 7: 43–53. (In Russ.)] DOI: 10.7868/ S0132162517070054.

Дерезевиц У. Экономика творчества в XXI веке. Как писателям, художникам и другим творцам зарабатывать на жизнь в век цифровых технологий. М.: Лайвбук, 2021. [Deresiewicz W. (2021) The Death of the Artist. How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech. Moscow: Livebook. (In Russ.)]

Маццукато М. Ценность всех вещей. Создание и изъятие в мировой экономике. М.: ВШЭ, 2021. [Mazzucato M. (2021) The Value of Everything: Making and Taking in the Global Economy. Moscow: VSHE. (In Russ.)]

Миланович Б. Глобальное неравенство: новый подход для эпохи глобализации. М.: Ин-т Гайдара, 2017. [Milanovic B. (2017) Global Inequality: A New Approach for the Age of Globalization. Moscow: In-t Gaidara. (In Russ.)]

Abbing H. (2002) Why Are Artists Poor? The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press.

Anderson C. (2006) The Long Tail: How Endless Choice is Creating Unlimited Demand. London: Random House

Autor D. et al. (2020) The Fall of the Labor Share and the Rise of Superstar Firms. The Quarterly Journal of Economics. No. 135(2): 645–709. DOI:10.1093/qje/qjaa004.

Bärtl M. (2018). YouTube Сhannels, Uploads and Views: A Statistical Analysis of the Past 10 Years. Convergence: The International Journal of Research into New Media Technologies. No. 24(1): 16–32. DOI: 10.1177/1354856517736979.

de Peuter G. (2011) Creative Economy and Labor Precarity: A Contested Convergence. Journal of Communication Inquiry. No. 35(4): 417–425. DOI: 10.1177/0196859911416362.

Duffy B.E., Wissinger E. (2017) Mythologies of Creative Work in the Social Media Age: Fun, Free, and “Just Being Me”. International Journal of Communication. No. 11: 4652–4671.

Elberse A. (2013) Blockbusters: Hit-making, Risk-taking, and the Big Business of Entertainment. New York: Henry Holt and Co.

Gorz A. (2010) The Immaterial: Knowledge, Value and Capital. New York, London: Seagull Books.

Gross S.A., Musgrave G. (2020) Can Music Make You Sick? Measuring the Price of Musical Ambition. London: University of Westminster Press.

Krueger A.B. (2019) Rockonomics: A Backstage Tour of What the Music Industry Can Teach Us about Economics and Life. New York: Currency Press.

Mason P. (2017) Postcapitalism: A Guide to Our Future. New York: Farrar, Straus and Giroux.

Rosen S. (1981) The Economics of Superstars. The American Economic Review. No. 71(5): 845–858.

Salganik M.J., Dodds P.S., Watts D.J. (2006) Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market. Science. No. 311 (5762): 854–856. DOI: 10.1126/science.1121066.

Srnicek N., Williams A. (2016) Inventing the Future: Postcapitalism and a World Without Work. New York: Verso.

Content No 8, 2022